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Uncle Bob is an occupational hazard for any wedding photographer. Let me explain, at every wedding there will undoubtedly be someone (normally an uncle, hence the nick name) who has a keen interest in photography and has all the gear his local camera shop can sell him. They are often referred to as "all the gear with no idea".
Normally I have no problem working with uncle Bob's and often have a chat in quiet times and talk photography. However occasionally there's one that gets in the way and physically stops me from doing my job.
I recently had one of these at a wedding. The venue was a top west end hotel in London and the main ball room has mirrors all over including behind the top table. Mirrors make taking photographs harder for several reasons i.e. flash has to be bounced rather than direct, you have to shoot at an angle so you're not in the shots etc.
It was during the speeches that uncle Bob continually stood in the centre of the table firing his flash straight into the mirror (he couldn't have got a single shot) and being in every photograph. Every time I would set up a shot and take a step backwards he would be under my feet ..... a complete nightmare!
I have no problem with people taking photographs but please, have some respect and stay out of the way.
On another note the next Lifestyle portrait training day has been booked for the 30th March 2008 at the Pontlands park Hotel near Chelmsford. Drop me an e-mail if you feel like coming along (it would make a better Christmas present than socks).
I was recently approached by the Baddow camera club to give a talk on my work and lifestyle photography in general.
The talk will take place on the 26th February 2008 starting at 19.45 and It's completely free (although tea ect will be for sale). You don't have to be a member of the club to come along. The location is the BAE Telford Systems theatre, on West Hanningfield Road in Great Baddow near Chelmsford.
I'll be showing some of my images and sharing a few secrets of how they are achieved, in my normal witty way. There will also be a time at the end where I'll be happy to field any questions people may have.
For more details check out the Baddow camera club website and drop them a line if you intend coming along.
It will be great to see you there!
Before I start I want to make it clear to my insurance company and any health and safety bods that may happen to be reading this the following story is actually completely made up and totally fictitious.
OK, so today I was booked to do some commercial work which involved shooting a companies lorries at their yard. It had to be today as the shot is required by Thursday and weekends are the only time the fleet is at the depot.
Unfortunately it was also the day we got a weeks worth of rain in one day, but being as there was no chance of a re shoot we pushed ahead regardless. Endless shunting of vehicles back and forth and we were eventually ready for the shots.
Anyone who's read my free down loadable photography tips from my website will know one of the things I constantly talk about is finding interesting angles to shoot from, normally high or low. I'm not afraid to climb on top of something or lie down if I feel it will add to the shot. With this in mind I asked the boss if it would be possible to bring a forklift out for me to get a bit of height.
The forklift trundled out to where I had thought the best place would be with a pallet for me and my tripod to stand on. I mount the pallet grab hold and say to the driver "take it up as far as it will go" at about the half way point I realised that i had underestimated the maximum height of the forklift. I thought it would go to about 6ft where as in actual fact it went to about 30ft (or at least it felt that way).
So I'm now standing 30ft in the air with my camera on a tripod whilst the rain is pouring down, There are no railings and just a pallet to stand on (that seems to have shrunk since we left the ground, unlike my tripod which has expanded to take all the room). There's nothing for it other than to get brave let go and look through the camera, luckily the tripod needed only the very minimum of adjustment to get the composition I wanted. Needless to say I set the camera to bracket (30ft in the air is not the time for light readings) and shot of about thirty shots.
All in all a succesfull day even if the adrenelin was of the brown variety.